"

We are allowed to be deeply into basketball, or Buddhism, or Star Trek, or jazz, but we are not allowed to be deeply sad. Grief is a thing that we are encouraged to “let go of,” to “move on from,” and we are told specifically how this should be done. Countless well-intentioned friends, distant family members, hospital workers, and strangers I met at parties recited the famous five stages of grief to me: denial, anger, bargaining, depression, and acceptance. I was alarmed by how many people knew them, how deeply this single definition of the grieving process had permeated our cultural consciousness. Not only was I supposed to feel these five things, I was meant to feel them in that order and for a prescribed amount of time.
___
After my mother died, everyone I knew wanted to tell me either about the worst breakup they’d had or all the people they’d known who’d died. I listened to a long, traumatic story about a girlfriend who suddenly moved to Ohio, and to stories of grandfathers and old friends and people who lived down the block who were no longer among us. Rarely was this helpful.

Occasionally I came across people who’d had the experience of losing someone whose death made them think, I cannot continue to live. I recognized these people: their postures, where they rested their eyes as they spoke, the expressions they let onto their faces and the ones they kept off. These people consoled me beyond measure. I felt profoundly connected to them, as if we were a tribe.
___

SHE DIED ON a Monday during spring break of our senior year. After her funeral, I immediately went back to school because she had begged me to do so. It was the beginning of a new quarter. In most of my classes, we were asked to introduce ourselves and say what we had done over the break. “My name is Cheryl,” I said. “I went to Mexico.”

I lied not to protect myself, but because it would have been rude not to. To express loss on that level is to cross a boundary, to violate personal space, to impose emotion in a nonemotional place.

We did not always treat grief this way. Nearly every culture has a history, and some still have a practice, of mourning rituals, many of which involve changes in the dress or appearance of those in grief. The wearing of black clothing or mourning jewelry, hair cutting, and body scarification or ritual tattooing all made the grief-stricken immediately visible to the people around them. Although it is true that these practices were sometimes ridiculously restrictive and not always in the best interest of the mourner, it is also true that they gave us something of value. They imposed evidence of loss on a community and forced that community to acknowledge it. If, as a culture, we don’t bear witness to grief, the burden of loss is placed entirely upon the bereaved, while the rest of us avert our eyes and wait for those in mourning to stop being sad, to let go, to move on, to cheer up. And if they don’t — if they have loved too deeply, if they do wake each morning thinking, I cannot continue to live — well, then we pathologize their pain; we call their suffering a disease.

We do not help them: we tell them that they need to get help.

"

The Sun Magazine | The Love Of My Life | Cheryl Strayed

Cheryl Strayed’s thoughts on grief, the day after the progressive journalism community mourns one of its own.

"Fiction is dangerous, Gaiman explained, because “it lets you into others’ heads, it gives you empathy, and it shows you that the world doesn’t have to be like the one you live in.” That imaginative leap into other minds and other worlds is surely the reason many of us read fiction."

Why Neil Gaiman Thinks Fiction is Dangerous, and Why I Think Fiction is Dangerous

http://reviews.libraryjournal.com/2013/06/prepub/why-neil-gaiman-thinks-fiction-is-dangerous-and-why-i-think-its-dangerous/

(via londonxbridge)

(via sweetnovellas)

A little editing humor, via writerly folks on Facebook.

A little editing humor, via writerly folks on Facebook.

Tags: writing

Around the Sisterhood

So since the Sisterhood is my primary blogging gig these days, I thought I’d continue to highlight my favorite posts now and then on my Tumblr. Here are a few:

"A trio of University of Toronto scholars, led by psychologist Maja Djikic, report that people who have just read a short story have less need for what psychologists call “cognitive closure.” Compared with peers who have just read an essay, they expressed more comfort with disorder and uncertainty—attitudes that allow for both sophisticated thinking and greater creativity.
“Exposure to literature,” the researchers write in the Creativity Research Journal, “may offer a (way for people) to become more likely to open their minds."

Study: Reading Fiction Makes People Comfortable With Ambiguity

Hurray!

"His long legs were like girls sheathed to the neck in shining riding boots. He smiled at me, struck his riding whip on the table, and drew toward him an order that the Chief of Staff had just finished dictating."

My First Goose

I just returned from TENT: Creative Writing, a pilot program for  young Jewish or Jewishly-inclined writers at the Yiddish Book Center. I have a lot of thoughts, but I’ll start with sharing an Isaac Babel story that became the touchstone story for my writing workshop with Ehud Hazvelet. See if it doesn’t break your heart a little, and say a lot about Jewishness without being explicitly Jewish.